- “The Stone Boy” by Gina Berriault (1957)
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Of course, it is considered to be one of the best stories in American literature. Sebastian Barry. I can, however, name 20 to 30 stories that I return to often. A woman travels alone to recover from a love that has ended too abruptly, but the wish that solitude could exorcise loneliness is as faulty as the wish that love could exorcise disappointment brought by love. The story to me is like an eye drop for the mind. Yiyun Li. The thing that is most striking about this story, aside from its restrained, grave beauty, is that it should manage to be so moving. On one level it is a dryly detailed and topographically exact portrait of a small town in the American midwest, but on another it is a devastating threnody for lost love.
Gass was one of the great prose stylists, and the writing here is typically smooth and pellucid, conjuring its effects by stealth and unflagging control. Simply, and by simple means, a masterpiece. John Banville. Decades unfold inside the beat of a sentence; a single moment might linger unspoken for many pages. Time seems to concertina, expanding and contracting to open out pockets of aromatic description. The story deals in oxymorons — bitter desire, weak power — and jolts to a conclusion that is harsh, cool, indelible. Kevin Barry. Key to a great short story is the tension and torsion created within each sentence.
The main character, a nurse, has been taken to the overseas villa of her rich lover.
“The Stone Boy” by Gina Berriault (1957)
The story is lit with sexual chemistry, but travels a horribly misaligned path. Its true test lies in finding an exit from the female dream. Sarah Hall. This is a strange, dark little story. Anderson evokes the Ohio town of Winesburg by focusing on the hands of its inhabitants. Guy Gunaratne.
Sedaris is in the fifth grade when heavy snow closes the schools. The little Sedarises go off sledding and return to find the door locked against them. They peer through the window to see their mother watching TV and glugging wine.
The Rage of the Incels | The New Yorker
She closes the drapes on them. A story — more memoir than fiction — that starts with the recognition that the very sight of you drives your mother to drink is attractive to me. He is a genius. Nina Stibbe. Calvino imagines it so close it risks dipping its scales in the sea. Fishermen gather lunar milk as the protagonist writhes in unrequited love. It is a great example of magic realism — full of texture and motion and mischief and longing. A southern white deputy sheriff tries and fails to have sex with his wife.
As she goes to sleep he talks about the vicious beating he gave a black protestor earlier that day, and returns to a deeper and even darker memory from his childhood: the ritual killing of a black man. After the killing, there was a picnic. But with these elements he explored some of the most thrilling ideas in fiction. Labyrinths and strange books are both present here, as is a theory of existence that anticipates the many-worlds interpretation of quantum mechanics.
Extraordinarily, all these elements are enfolded within an account of a wartime espionage mission. From spring to summer the young Polish poet Borowski was a political prisoner in Auschwitz. His stories are some of the darkest documents in world literature. Here we witness a man who has taken his furnishings and arranged them on his lawn: bed, couch, desk, turntable, lamp. But a hangnail of the unknowable remains, and stays long in the memory.
Cheever is known as a chronicler of the suburbs, but in this story the leafy neighbourhood of Shady Hill, a recurring location in his fiction, blends the domestic with something much stranger, almost magical. There she meets Roy, an ex-prison inspector, and rashly moves in with him. She talks about her characters in a way that makes you feel your own perceptiveness is being worked like a muscle. During her lifetime Gilman was best known for her nonfiction, and she was forgotten after her suicide. The main character of this bleakly hilarious story, the downtrodden government clerk Akaky Akakievich, is arguably the first antihero in modern literature, and his doomed pursuit of a new overcoat one of the most memorably absurd quests in fiction.
This might be an alternative Britain, or a future one.
When their shift finishes, they drive into the countryside and reality unravels completely. Johnson rides a line between the sacred and the profane, between hilarity and sadness. Li has a Chekhovian ability to disappear from the text, allowing a remarkable intensity to develop between reader and story. His expansion on this irresistible detail resulted in one of his greatest stories.http://gatsbyinteriors.co.uk/15875-whatsapp-de.php
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The opulence of the clay horse at the centre of this story has faded beneath the Indian sun, but the conversation it triggers between an American tourist who speaks no Tamil and Muni, a poor peasant who speaks no English, is not only very funny, but also telling about the degree to which misunderstanding is an unavoidable part of human interaction. Its closing lines, and the apparent act of grace they describe, are as memorable as they are ambiguous.
Two boys grow up together on a lane in Delhi. One, the narrator, becomes a lawyer. The other, Manshu, becomes pandit of the local temple.
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Police shoot two black men outside a comic-book convention in LA, while halfway across the country an artist buys his daughter a cupcake at a vegan bakery. Facebook Twitter Pinterest. Fiction Anton Chekhov features.
100 Must-Read Novels Set in London
Reuse this content. Everyone in this book should be fired. Cleis Press. Every writer in this book focuses on a different facet of the bondage theme. Some characters use tools, some words, one uses paper chains. There are male subs, femme doms, and more. But what these stories have in common is addiction.
TELL ME A STORY: PART TWO
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Each story--from a woman whose boyfriend has a proclivity for old-fashioned lingerie to a British paparazzi who gets too close to his target, to a distracted writer who needs some special motivation to stay on deadline--will leave you dizzy with satisfaction.